Environtment

Newspaper
What’s black and white and read over and over? Recycled newspaper.

You begin the recycling process when you set it apart from your household garbage and place it at curbside or in a bin at a drop-off depot. Or when you participate in a paper drive. Whichever method you select, the paper is picked up by recycling collector. At curbside, this might be your garbage hauler or a recycling service working with your garbage hauler. The collector combines your newspaper with paper from other households and sells them to a paper dealer who, because of the volume of material purchased, often operates out of a storage warehouse. The dealer then sells quantities of paper to a user. This is where the actual recycling–manufacturing one product into a new product–takes place.

Old newspaper is an essential material in the paper remanufacturing process. Because paper mills must be concerned about both quality (cleanliness, type of paper) and quantity of the supply, they usually issue purchasing contracts to dealers rather than buying small amounts of paper from the public. Some contracts might be for a month, while others are ongoing.

At the paper mill, de-inking facilities separate ink from the newspaper fibers through a chemical washing process. A slusher turns the old paper into pulp, and detergent dissolves and carries the ink away. Next, screens remove contaminants like bits of tape or dirt. The remaining pulp is bleached and mixed with additional pulp from wood chips to strengthen it. The watery mixture is poured onto a wire, a continuously moving belt screen which allows excess moisture to drain through. By the time the mixtures gets to the end of the belt, it’s solid enough to be lifted off and fed through steam-heated rollers which further dry and flatten it into a continuous sheet of paper. This paper machine produces finished newsprint at the rate of 3,000 feet per minute.

Finally the newsprint is trimmed, rolled, and sent to printing plants to be imprinted with tomorrow’s news. The Smurfit mills in Oregon City and Newberg are the major users of old newspaper in Oregon. Together they process close to 900 tons every day. This is equivalent to a stack of newspaper nine and one-half miles high, and nearly 2.5 times the amount of newsprint printed and sold in this state each day. Even though Oregonians recycle nearly twice as much newspaper (close to 70 percent) as do residents of any other state, the mills must depend on old newspaper shipped to them from other states as well as that from Oregon to maintain their inventory.

Not all old newspaper in Oregon is recycled back into newspaper. Western Pulp, located in Albany, uses old newsprint for manufacturing molded flower pots and other specialty items. Energy Guard in Clackamas produces blown-in cellulose insulation from old newsprint. Paper brokers also may sell old newspaper to overseas markets. In that case, the paper sometimes is reused (rather than remanufactured) as wrapping paper.

Cardboard
What is cardboard? If you answered a brown box, you’re only partly correct. There are two types of cardboard. The first is called boxboard. This a solid sheet used for products like shoe boxes and tablet backings. The gray color indicates that the boxboard has been made of recycled materials. The color comes from combining different types of paper, some of which may have had the ink left on them. The second type is called corrugated cardboard, or just corrugated. It is commonly used to make what most people call «cardboard boxes.» Corrugated is a paper sandwich of linerboard (the two outer layers) and the medium (the ribbed inner layer).

While some corrugated cardboard is recycled at curbside, the bulk of it comes from commercial rather than residential sources. If you’ve every checked the service area of your local supermarket or furniture store, you’ll see the volume of corrugated packing material used by commercial outlets. That’s because corrugated containers are sturdy, strong, and can be custom-made to a particular order.

Like homeowners, stores usually have their garbage hauler or recycling service collect their cardboard. The hauler next sells it to a dealer, who collects and guarantees quantities of a material to end users. In most cases, the end user is a paper mill.

At the mill, the corrugated is pulped and blended with additional pulp from wood chips. Broken, thus shorter and weaker, old fibers are blended with the new pulp to make the medium. Recycled paper fibers and new pulp are blended to make linerboard. Then the medium and the linerboard are shipped to a boxboard plant, where the manufacturing process is finished. The medium is corrugated by specially-geared machines, the linerboards are glued on, and the resulting flat pieces, called mats, are trimmed to size and creased along a pattern of folds. The mats are shipped flat to customers who set them up into boxes. Then the boxes are used to package products for shipping.

Oregon has four major cardboard recycling plants: Weyerhauser in North Bend makes medium, but their Springfield plant makes linerboard; Willamette Industries in Albany makes only linerboard. Georgia-Pacific in Toledo makes both medium and linerboard. The latter two plants also make recycled paper for brown, or Kraft, paper bags.

The New Drama Series of HBO «Westworld»

HBO’s new drama about an authentic Western theme park filled with lifelike androids who exist only to play a part in the fantasies of guests, is here. Starring Anthony Hopkins, Evan Rachel Wood and Jeffrey Wright, it’s a modern take on the 1973 Michael Crichton film that posed a simple question: “could robots take us all out if we take advantage of them lots?”

The original movie told the story of a very adult getaway through the eyes of the rich tourists having a rollicking good time, but the HBO series (now with technology to match the forward-thinking vision) has one key difference. Created by Jonathan Nolan and Lisa Joy, it flips the focus by orchestrating sympathy for the machines. For $40,000 a day, Westworld-goers have a “these androids aren’t real people» cover under which to behave like mass murderers on a sex-cation and call it a detox. Obviously, mostly everyone is indulgent about it, and it’s enough to make you root for a robot takeover.

The cinematic series has already introduced a vast world for the first season — from several major characters to the majestic grounds. With that in mind, here’s a primer on everything you need to know about the show.

John P. Johnson/HBO

The Hosts

  • How they behave: By design, everything the computerized «hosts» do and say is scripted—with just a splash of improvisation. They’re all just there to serve, and the park purges their memory at the end of every story. Hosts like the town saloon’s wise Madam (Thandie Newton) restart their «loop» following their predetermined storylines the next day, but guests can still disrupt these predetermined storylines depending on what they feel like doing. Each host is driven by something in particular, but their emotions are dialed up and down accordingly.
  • What they believe: They don’t actually know they’re not real, and they think the guests there to do whatever they want with them are simply «new in town.»
  • The rules: Hosts are incapable of killing guests, and guests are incapable of killing other guests. If a host takes a bullet from a guest, the park repairs them and they start over. When a host needs a tune-up, it can instantly come on and «offline» for a diagnostic at the Westworld version of the Apple Genius bar where they can chat with their makers to ensure they’re not plotting a massacre.
  • Notable host: A glimmer of hope in this dark frontier: Dolores (Evan Rachel Wood) who has the sunniest outlook ever, even though she suffers extreme trauma on the daily. It’s why the creators feel erasing everyone’s memories is the least they can do.

John P. Johnson/HBO.

The Guests

  • Popular attractions The real people, the «guests» who experience the luxury of Westworld’s delights, are all wealthy and their conduct makes everyone you’ve ever seen in a spring break movie look like a model citizen. In the world’s central spot, Sweetwater, there’s a saloon for prostitutes and gambling, and it’s flanked by the more mysterious badlands. Once in Westworld mode, tourists like the V.I.P. regular, the Man in Black (Ed Harris) and first-timer William (Jimmy Simpson) are encouraged to fulfill their deepest desires by engaging in any number of dubious new hobbies for the ultimate photo opportunity.
  • How they behave: Nothing is off limits so most of the 1,400 visitors tend to follow their wilder impulses, treating the hosts like sex objects or gunslinging practice to blow off some steam. But they also come to find out who they could be, and if they want, they can live like a heroic cowboy «good guy» in a classic Western film.

John P. Johnson/HBO.

The People in Charge

  • What they do: Because the hosts of this elaborate world don’t work alone, plenty of the story focuses on the creators who control the cast of characters. They must constantly track the hosts to ensure they’re obeying every command and sticking to the script. Fans of the classic movie based on Crichton’s book, Jurassic Park, will observe that the park’s omniscient founder, Dr. Robert Ford (Anthony Hopkins) is way darker than the guy who made the dinosaur playground as a «fun for the whole family» destination.
  • The notable employees: There are several key people who make this wacky world work. We quickly learn the behavior engineers are mostly jaded about the artificial intelligence except for head of programming Bernard Lowe (Jeffrey Wright), who’s fascinated by their moments of consciousness, and hiding this in the least effective way possible. We also have Elsie Hughes (Shannon Woodward), a savvy coder; the arrogant guy masterminding the storylines, Lee Sizemore (Simon Quarterman); and no-nonsense Quality Assurance head Theresa Cullen (Sidse Babett Knudsen.)

John P. Johnson/HBO

The Conflict

Play Video

Westworld Trailer (HBO) – MATURE VERSION

The creatives have been operating from the same ambitious, reality-altering playbook for years, but small system error: everything’s going haywire. So they’re tasked with fixing a few of the robots who show signs of malfunctioning, questioning their realities and recovering traces of bad memories. The hosts appear to be evolving to gain consciousness, which would be a wrench in the park’s plan to continue using them as dispensable actors (and victims) in every guest’s fantasy.